Name____________________________________________
Timeline (DUE April 9): Please prepare the first two columns of this worksheet after completing the assigned reading. Complete the last column once your have recorded your sketches/ideas/reflections in your separate journal. As you embark on your 30-minute walk each week, keep in mind the following prompts:
DATE | Primary Topic | Favorite Passage From Reading | Brief Analysis of Passage | Suggested Artists | Suggested Additional Readings | Brief Summary of Perceptions from Walk |
Jan 24 | Parisian Salon |
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| Gerome | Dumas, Ann, Ed. (2008). Inspiring Impressionism The Impressionists and the Art of the Past. London: Yale University Press.
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Jan 31 | Gender |
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| Morisot | Tucker, Paul. (1998). Manet's Le Déjeuner sur l'herbe, Cambridge, MA: Cambridge University Press.
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Feb 7 | Commodity |
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| Caillebotte | Clark, T.J. (1999) The Painting of Modern Life: Paris in the Art of Manet and His Followers. Princeton, NJ: Princeton University Press.
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Feb 14 | Ideal Beauty |
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| Singer-Sargent | Sondergaard, Sidsel Maria, Ed. (2007). Women in Impressionism: From Mythical Feminine to Modern Woman. Milano: Skira.
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Feb 21 | Addiction |
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| Degas | Collins, Bradford. (1996). Twelve Views of Manet's Bar. Princeton, NJ: Princeton University Press.
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Feb 28 | Prostitution, Gambling |
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| Renoir | Matlock, Jann. (1994). Scenes of Seduction: Prostitution, Hysteria, and Reading Difference in Nineteenth-Century France. New York: Columbia University Press.
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Mar 7 | Boheme |
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| Manet | Foucault, M. (2012) Manet and the object of painting. Bourriaud, N, Trans. London, EN: Tate.
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Mar 21 | Flâneur |
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| Monet | Stromber, Susan. (2006). “Manet’s Portrait of Jeanne Duval, Baudelaire’s Mistress Reclining: Femininity, Modernity and New Painting.” Printed in Women in Impressionism. Sidsel Maria Sondergaard, Ed. Milano: Skira.
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Mar 28 | Paris Commune |
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| Meissonier | Wilson-Bareau, Juliet, Ed. (2004). Manet by Himself. London: Time Warner Books.
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Apr 4 | Satan’s Laughter |
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| Whistler | Driskel, P. M. “Manet, Naturalism, and the Politics of Christian Art,” Arts Magazine, vol. 60, no. 3. (Nov. 1985), pp. 44-54.
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